Tag Archives: writing

Sesskia’s Diary, part 24

27 Senessay

I was so caught up in trying to learn the concealment pouvra I didn’t take time to record the rest of yesterday before I went to sleep. I’m so tired this morning I’m having trouble concentrating on anything. I took my discoveries to Cederic after lunch yesterday, and he insisted (politely, he’s learning) that I read out certain passages. Then he told me things to look for, key words and phrases, and I read those too. By the time we were both ready for dinner, I’d read myself hoarse and Cederic was pacing back and forth across the circle, fingers of one hand pressed against his forehead. Finally, he said, “I think we should leave this for now. There is a book that might reveal something of what this author claims, but I would prefer to come at this fresh, in the morning.” Continue reading

Sesskia’s Diary, part 23

26 Senessay

It’s definitely a pouvra. If I hadn’t had ten years of experience learning pouvrin from ancient, barely legible texts, I wouldn’t have recognized it. I had to go to the refectory for a glass of that bitter pink juice that I hoped would clear my head, because my brain kept trying to cling to concepts it could barely understand until it just whirled around like a dust devil, whipping up a storm that only made things worse. Continue reading

Sesskia’s Diary, part 22

25 Senessay (continued)

It was a very comfortable room. There were four well-padded chairs, and a low table just perfect for drinks, and while I settled myself into one of the chairs, Sai Aleynten disappeared and came back some minutes later with a tray holding a metal pitcher and two glasses. This time he poured the conventional way, and rather than water the pitcher held a pale yellow liquid that looked like lemonade, and it was. We talked for a few minutes about things that were the same in both our worlds, not that there are many of them, and then I read aloud for a while. I had to keep stopping because the book referred to places I didn’t know, and Sai Aleynten (big surprise) was familiar with all of them. It really was an interesting book, though we’d been right in thinking it had no bearing on our research. At some point we put the book aside and Sai Aleynten told me more about the government of Castavir—I don’t know how we came to that subject. It was clear there were things he was skirting around, primarily the God-Empress issue, but if the God-Empress is as dictatorial as I think she is, it would make sense that he wouldn’t want to criticize her out loud, even to an otherworlder who’s unlikely to repeat his words to anyone who might care. Anyway, I now feel I have a slightly better grasp of Castaviran politics, though my understanding of politics in general has never been strong; ground-level enforcement of the law has always had more of an effect on me.

And I told him—I still can’t believe I told him this—I told him about some of the things I’ve had to do to gain access to the books I needed, which led to me explaining I’d had to steal to survive for most of my life, though I didn’t talk about Bridie or Roda or Mam, and I didn’t try to explain about the politics that lost my family its social and economic standing when I was no more than a baby (not that I understand that myself), just that Dad died when I was nine and we became destitute. He just listened, though at the end he said, “No wonder we could never keep you locked up.”

“No, that was the mind-moving pouvra, though it’s true I need to understand locks to know how to move them correctly,” I said, and then we both realized that although I’d told him about it, he’d never seen me do it. So I showed him how I could raise the tray with its pitcher and glasses, though only an inch or so, and then I worked the lock on the door a few times, and he showed his astonishment in his usual ebullient way, which was to raise one eyebrow until it threatened to climb off his forehead.

“The fine control to work that lock is beyond me,” he said, “though I think my capacity for moving larger objects is greater than yours,” and he wiggled his fingers and made one of the chairs, thankfully not the one I was sitting in, lift into the air until its back struck the ceiling. This time, I was watching his hand more closely, and I swear I saw traces of amber light following the movement of his fingers.

“Definitely,” I agreed, “though it makes me wonder something.” I concentrated on my glass, which had about half an inch of lemonade still in it, and the liquid flowed up the sides of the glass and emerged to make a pale yellow sphere that I flew around the room.

That is truly astonishing,” Sai Aleynten said. He traced a th’an on the side of his glass, which was a little fuller than mine, and the liquid quivered, but stayed in the glass. “It seems I have practicing to do.”

“So do I,” I said, laughing, and he smiled at that. I wonder if he ever laughs. I wonder why he never relaxes. Well, he was relaxed then, but his relaxation still looks like someone else’s rigidity.

Right then my stomach rumbled, and I laughed again. “I think I should have dinner,” I said, and then I didn’t know what else to say. It felt rude to just walk away, but I didn’t think it would make either of us comfortable for me to invite him to eat with me in the refectory. And, honestly, I can’t picture him eating in there. No one would dare to joke or laugh or even speak. Except me, possibly.

Sure enough, he just said, “Then I will speak with you in the morning. Or in the evening, if you prefer, when you may have something to report.”

I said, “Then, good evening, Sai Aleynten, and thank you for an enjoyable afternoon.”

He nodded, but when I had my hand on the knob and was realizing I’d left the door locked, he said, “You should not call me Sai.”

“But everyone calls you that—did I misunderstand?” I said. I felt embarrassed again. I hate looking like a fool, and if I’d been calling him Sai Aleynten when that was wrong—that’s as bad as calling him by his praenoma when I wasn’t invited—but that’s not what happened.

“‘Sai’ is not only a title,” he said. “It implies a relationship…not exactly of obedience, but of obligation. You are under no obligation to me.”

That made me feel a little better, though still embarrassed. “Do I call you just Aleynten, then?” I said.

He paused for a long time, then said, “My given name is Cederic. It would not be inappropriate for you to call me that.”

That still makes me feel horribly embarrassed. Like I’ve written before, in Balaen names are important. We used to have a surname before Dad was stripped of power and he lost that along with everything else. And Sai Aleynten sharing his given name with me, when we don’t really have a close relationship…that’s an intimacy I’m sure he didn’t mean, and I couldn’t tell him that without embarrassing him too. He said, later, that he was the only one who could invite me to use his given name, so I guess names do mean something to them, but nothing nearly so personal as they do to me. So I’ve resolved never to be in a position where I have to call him anything. I don’t know what I’ll call him in the pages of this book. I kept writing Sai Aleynten because that’s how I thought of him, right up until he gave me his name, but obviously I shouldn’t do that anymore. It’s stupid of me to be so sensitive, but I’ve already lost my whole world and almost all of my customs, and I feel as though I need to cling to something in order to stay myself. Also, how awkward will it be if I’m the only one calling him Cederic? That’s the sort of thing that gets noticed!

Which is more or less what I said next, though it came out as, “That’s not too informal, when everyone else calls you Sai?”

He smiled, and said, “You are not everyone else, and they know it. I think you will find they are happier when you, an outsider, do not presume upon the obligation all of them have earned.”

“You mean they’ve all been cringing every time I refer to you as Sai Aleynten?” I said. I’d noticed my talking about him made them a little uncomfortable, but I’d assumed it was because I was always so critical of him. I thought I’d been embarrassed before, but now I didn’t think I could face the refectory and all those people who thought I was…I don’t know. Presumptuous, maybe?

Sai Aleynten Cederic He shook his head. “I imagine none of them knew how to correct you without embarrassment. And none of them would feel comfortable giving you the freedom of my given name.”

“I understand,” I said, “though I’m surprised you didn’t correct me earlier.”

“It never occurred to me,” he said. “And you never address me directly.”

“I don’t know whether to apologize for that or not,” I said, “but I think most of our conversations haven’t been the kind where our names are important.”

“True,” he said. He’d been sitting this whole time, and now he stood and said, “I think you will discover that door is still locked.”

“I know,” I said, and quickly unlocked it. “Thank you…Cederic.”

He inclined his head to me. “Thank you for the reading, Thalessi.”

And I have no idea why I did what I did next, which was to say, “My given name is Sesskia.” It just came out. I suppose it was partly because I felt so awkward about him giving me his name like that that I wanted to restore the balance between us, and partly because something about him makes me tell him everything, even against my better judgment. But I did, and now I can’t take it back. I hope I don’t regret it later.

So he said, “Then thank you, Sesskia,” and we went our separate ways, him presumably to his room, me to the refectory. It was an uneventful dinner, probably because everyone had exhausted their stores of fun and was ready for an early bedtime and back to work in the morning. And now I’m finishing this record for the night. I’m looking forward to studying the book in the morning. I still don’t know if I can call him Cederic, particularly to his subordinates, but I suppose Sai Aleynten is out of the question now. At least I don’t hate him anymore, because there are serious taboos about using the personal name of one’s enemy. And he’s certainly not my enemy.

Sesskia’s Diary, part 21

25 Senessay (continued)

Despite what they’d said, I wasn’t surprised to find Sai Aleynten in the cavern, looking through the books on the shelves. He was dressed in a plain brown shirt with an abstract pattern in black embroidered around the neck and cuffs and brown trousers of a different shade than the shirt, so he looked less formal than usual, but he still had that distant, closed-off air he always did. Continue Reading

Sesskia’s Diary, part 20

25 Senessay

Rest day. I was planning to begin studying the pouvra in earnest, but Sovrin barged into my room without knocking and said, “Put the book down and get out of bed, Sesskia, or I’ll drop you in the pool wearing all your clothes.” She’s big enough that I think she could do it, so I got dressed (I’m sleeping in that long-sleeved shirt and undershorts now, and the shirt is so comfortable I don’t even mind that it’s a little large) and went with her to the bathing room. Most of the women were already there, splashing around in the big pool or lying back in one of the smaller ones. I took off my clothes and put them in one of the cubbies—I forgot to mention this, there are shelves divided into foot-wide cubbies for storing clothing off the wet floor. The large pool slopes at one end, like wading into the surf but without the waves, and at the far end I think it’s about ten feet deep. I swam down to the bottom, forgetting that I didn’t want to get my hair wet, and felt a little current that told me the water was circulating. So Audryn was exaggerating a little about swimming in their own filth, but I still wouldn’t piss in the pool. Continue reading

New Release!

servant experiment 2My latest book, SERVANT OF THE CROWN, is now available for purchase in print and as an e-book at Amazon.com, Barnes & Noble, Smashwords, Kobo, and more!

Sesskia’s Diary, part 10

18 Senessay (later, same evening)

I had to stop before because Terrael came in to ask me more questions. Then Audryn—I haven’t written about her yet, I guess—she came to make Terrael leave me alone so I could sleep, but I really need to finish writing about this, because it has to be important.

So, we compared histories. After about three hours, we were both tired, and Terrael suggested we get some food. This time, he took me to a big room with ten or twelve long tables and little backless stools lining them on both sides. A lot of white-robes were sitting there, eating, and all of them looked at us—at me—when Terrael and I came in. Terrael ignored the attention and went to an opening in the far wall, like a five-foot-square window with no glass, and I followed him. Beyond the window was the largest kitchen I’d ever seen in my life, and that includes the one in the royal house in Venetry where the cook hid me while the guards searched the house. A man came to the window, looked at both of us, and walked away again. When he came back, he had a couple of plates piled with food: a slice of meat in thick brown gravy, mashed potatoes (finally, a food I recognized!), green peas that had been dried and then reconstituted, so they were mushy, and a thick slab of the brown bread perched on top of everything. Terrael handed one to me, thanked the man, and went to the end of one of the tables where no one was sitting. He went at his food like it was the last meal he’d get all week. I was conscious of people still staring at me, so I used my best manners. Though now that I write that, it occurs to me that I have no idea what these people consider good manners. Maybe Terrael inhaling his food is the pinnacle of proper eating etiquette in Castavir. Continue reading

Sesskia’s Diary, part 9

18 Senessay (evening)

Maybe I was wrong about that last sentence. Again I’m so overwhelmed by what I’ve learned I don’t know what to think anymore. So I’ll start with what I’m sure of, which is that Terrael wouldn’t meet my eyes when he finally showed up, about two hours after the end of my interrogation. The first thing he said was “I’m not sorry.”

“I was furious with you earlier,” I told him, “but since I’m not dead, I decided to be glad it worked and forgive you. But if you ever try anything like that on me again I’ll strangle you with your own robe.” (That’s actually what I said, not me being clever in retrospect. Though I don’t know how I’d make it happen. Terrael’s tall and I think he’s stronger than he looks.) Continue reading

Why I Wrote Today

Today I’m participating in the Writing Contest: How Writing Has Positively Influenced My Life. Hosted by Positive Writer.

Today I sat down at the computer and opened a new document. I organized the notes I’d made on story, on character, on the history of my world. And I began writing my thirteenth book.

Fourteen years ago I could not even imagine today. Fourteen years ago my doctor handed me a diagnosis I could never have guessed at: bipolar disorder, type II, rapid cycling. None of which made sense to me, except for the fundamental, absurdly dramatic reality that my brain was dealing with a biological illness that was going to affect everything I did from that day forward.

Fourteen years ago I began huddling in on myself, trying to deal with something no one I knew had ever experienced, even at second hand. I became accustomed to being unable to schedule activities more than a few days in advance for fear I wouldn’t be in a condition to meet those obligations. My friendships changed, my hobbies vanished, and all that was left was to hold on and tell myself I’d get everything back someday, because the medications were working, the therapy was working, I wasn’t losing anything I couldn’t recover.

Today I woke up knowing I had a long day of writing to look forward to. Starting a new novel is one of my favorite things in the world. I do a lot of planning before I sit down at my beautiful little keyboard, with its keys that click loudly and make me feel like I’m Hildy Johnson from His Girl Friday, tapping away as the screen fills up with words, then paragraphs, then pages.

Four years ago I woke up feeling as if I were finally coming up for air after ten years of self-imposed solitude. The medication was working. I had my life back. I had a family that loved me. And I’d lost almost everything else. I’d planned to keep up my skills to get a job when my children were old enough; those skills were ten years out of date, I’d lost touch with all my contacts, and worse, I no longer wanted the things I’d thought I did. All that was left was a desperate need to do, to act, to create something that would persist, something I could point to and say “I made this.”

Today I went over my previous project, the one I’d had such hopes for. You love all your babies, and it’s sad when they turn into something you didn’t expect, something out of your control. The reason I started the thirteenth book was that I had to put the twelfth one away for a while. But there’s a beauty in that, too—the beauty of knowing that eventually, you’ll take it out again and see the potential you didn’t the first time. And you’ll find joy in it again.

Two years ago I was in despair over having tried my hand at half a dozen hobbies or jobs and failed at all of them. For different values of “failed,” really; some of them I discovered I didn’t really like, most of them I found I was terrible at, all of them were incapable of satisfying that need that ate at me every day, driving me to try again. But I was getting tired of trying.

Two years ago, on a whim, I started planning a story. It wasn’t much at first, just a character and a city, but it grew, and there came a day when I stood back and looked at it all with a critical eye and thought, “Why not?”

Two years ago today, I sat down at the computer and opened a new document. I organized the notes I’d made on story, on character, on the history of my world. And I began writing my first book.

Today I know what will happen when I start a new project. Two years ago I had no idea how the act of writing would take hold of me, how amazing it feels when the story starts to bloom and you find yourself following threads you never intended to. I didn’t realize what it was like to find myself still writing at 3 a.m. because the images keep unfolding and stopping is unthinkable. After all those years of being lost, writing was a gift. A joy.

Today I write because writing makes me happy. It makes me see the world differently. And it reminds me that some things can’t be lost.

Insert Title Here

lightbulbsI suck at coming up with titles. For EMISSARY, my husband the Plot Whisperer and I went around and around for a couple of days until I came up with the title. Then I went back into the book and changed it to fit the title. That’s how bad I am.

So after writing a couple of books and agonizing over their titles, I decided it was time to take a different route. I’d been reading the book Write Great Fiction: Plot and Structure by James Scott Bell, and it has a whole chapter on brainstorming and a section on brainstorming titles. This seemed like the answer I was looking for. So I grabbed all the books near my work station, found an online searchable database of Shakespeare’s works, and started scribbling. The idea is to just flip through books or online sources and grab whatever phrases catch your attention. Then change them around. Extrapolate from them. Combine them and see where they go. Most of them don’t work out, or at least didn’t spark any ideas for me, but it was interesting to see what my subconscious came up with.

Here’s a few I don’t plan to use (NOTE: If you want to steal these, feel free, but if you do, and if they become runaway best sellers, please make sure you put some suitably taunting words in your acknowledgments page). From Matthew Arnold’s wonderful poem “Dover Beach” came On a Darkling Plain (which I’m sure has been used before) which turned into Darkling Rover. I wish I could remember the source of Night’s Ignorant Armies, The Melancholy Sea, and Discoverers of the Empty Sea, because it must have been something really interesting.

Then there are the ones I can sort of trace back to their sources. I think I was looking at the bookshelf containing Stella Gibbons and Dorothy Gilman’s books, because I’m pretty sure that’s where The Nightingale Diary and The Tightrope Maze came from. I ended up with three small-print columns of potential titles and a sense of profound satisfaction that I’d accomplished something that day. Some days are like that.

But narrowing it down was more difficult. In the end, I printed up a copy for the Plot Whisperer and one for me and asked him to go through the list and mark 5-10 titles that grabbed his attention. I did the same, hoping there would be some overlap. And, surprisingly, there was. Four of the maybe fifty titles on the list were ones we both liked. I stored those away for future use. (No, I’m not telling.)

There was one last thing. I had a strong preference for which one I wanted to write immediately, but I wanted to see what he thought. So I asked him to choose his favorite. He immediately came up with the same one I’d chosen—and that’s how I came to write THE SMOKE-SCENTED GIRL. Everything else—the characters, the magic system, the story—all of that came later. The title was first.

Much as I enjoyed the experiment—and the relief of knowing the title problem was sorted from the beginning—I don’t know that it’s the best basis for an entire writing career. But until I find a way to pay someone to write my titles for me, I’ll probably keep coming back to it.